The who, what, where, when, how and why of Teacher’s Pet…
Newspaper editor James Gannon doesn’t give a damn about journalism being learnt at college and clashing views with his teacher.
Teacher’s Pet – Trailer, Paramount Movies UK AND PHOTOS © Paramount Pictures
On discovering the Clark Gable blogathon, my thoughts immediately returned to a now still elusive idea – from just over a year ago – for another Blogathon, centred around Gable’s wife Carole Lombard. Sadly there was still no sign of The Scarlett O’Hara War (1980) on the telly streaming channel. So, I plonked for this choice primarily because of his co-star Gig Young. As I had a bit of a crush on him in Young at Heart (1954).
After learning Young co-starred with Doris Day again in this film, I fervently hoped she’d go for Gig this time with the happy Hollywood ending I’d craved for their 1954 movie. But deep down feeling, with Clark Gable in the cast this wasn’t to be… so despite this I settled down for this black and white, romantic comedy.
The film starts with a wee familiar Doris Day jaunty schoo-wop song, named after the title of the film, Teacher’s Pet (1958). This immediately conjures up images – sadly only in my head – of Doris Day belting out the title track, wearing a pink shift dress accompanied by at least three white, tuxedo-clad, chiselled Jon Hamm lookalike backing singers crowded around a microphone.
Back to reality… where after this jaunty title song, Teacher’s Pet transports us to New York journalism in the late 1950s. A bunch of random extras are being shuffled around in a tour of the Evening Chronicle newspaper building. One of the women, Mrs Kovac slips away and confronts the gruff but respected editor of the Evening Chronicle, James Gannon (Gable) about him employing her son Barney.
She argues her son should be encouraged to finish his education, and then learn the journalism trade. Gannon, implicitly tells her he didn’t go to university but learned the trade from the ground up. He argues this is the best and only way to learn. Gannon agrees to talk to Barney, which pleases his mother. She seems quite charmed by Gannon. (But then he is Clark Gable.)
Gannon is then summoned to see his boss, who tells him he has to guest lecture at journalism classes. Gannon tells him he wrote a letter to the course leader, explaining in his own (gruff) manner his opposing views regarding that journalism should not be learnt in a classroom.
His boss insists he goes if only to apologise, and Gannon attends. As he enters the room he is taken by a hot blonde named Erica Stone. It then revealed she’s the teacher, which he is visibly shocked at. She reads his letter to the class. Then – still unaware that Gannon is present – gives a damning – but accurate – character assassination on his character.
Gannon then decides on retaliating by not telling her his true identity and masquerading as her student. With a wallpaper salesman job and no journalism experience. Gannon riles her immediately by correcting her when she refers to quotes when relating to journalism. After she gives him a writing task, she is impressed with his quick and accurate work and apologises to him in front of the class.
However, despite feeling superior about this for a short time, Gannon finds himself falling for her. After she meets with him to give him extra work to suit his abilities, he takes her in for a passionate kiss. But it’s complicated, with her appearing to be in a relationship with an “egg head” (as Gannon calls him) with “more degrees than a thermometer”. Enter the young, dashing and educated, Dr Hugo Pine (Young). Pine is a renowned professor and famous writer on all things psychology.
When spending the evening with his girlfriend of sorts, a nightclub singer and entertainer Peggy DeFore (Mamie Van Doren), Gannon spots Erica with Hugo. The two men then meet, with Gannon trying to outwit his rival by getting him drunk and embarrassing himself. This backfires dismally, and the three leave with Hugo collapsing.
After the pair take him home, Gannon makes his move and Erica and they kiss again. They learn more about their perceived rivals in love, Peggy and Hugo. However, after spending time with the badly hungover, Pine the next day tells him of a “fictional” friend outlining his predicament, with Pine giving his insights.
This was the first time I’d seen Gable in a comic role, and I really enjoyed this movie with its fun dialogue, witty yet sincere plot and likeable characters. I’d easily put it in the Great Films Discovered for Blogathons pile and recommend it if you like any or all of the cast.
Gable is a charming and debonair leading man, and despite his age difference from his cast, he proves a worthy competitor for Day’s attention. I read the film was deliberately made in Black and White to try to make Gable look younger. However, I was oblivious to this large age difference, due to Gable’s screen presence, charisma and wonderful acting.
I felt instead attention should have been made to some of the script and the filming which inadvertently reinforced it, rather than distracted from it. For example, when we are introduced to Gig Young’s Hugo character, Gable’s Gannon believes with Pine’s educational prowess he almost ironically believes he must be “up for retirement”.
But to his surprise, he’s much younger, with one of his colleagues saying how young Hugo is. Additionally, in the film, many of the extras particularly the large number of extras cast as his newspaper colleagues and those in the journalism night school class appeared similarly aged to Gable or looked older. This seemed almost like an attempt to make Gable look younger.
Gable’s scenes with Day were fun and she made a convincing professor with her severe suits and haircut. Her cruel parody of Gannon’s showbiz girlfriend was uncalled for and came over as a bit mean. As it felt like the writers had used this scene only as a ploy to get Day to sing.
Although at times in their scenes together, Gable and Day were a wee bit predictable. In the scene where she reads Gannon’s letter, you could feel the pain that Gable’s character was experiencing through her appraisal of him with his facial expressions conveying this to dramatic effect. I ended up rooting more for Gig Young’s Hugo to be paired off with Peggy.
However, it was the comedy pairing and on-screen rapport between Gig Young with Gable that I enjoyed the most. Gannon meeting Pine also led to many more comic moments. Although his then hatred of his apparent rival was visible throughout Pine appeared oblivious of it, as he came over as a naturally likeable and charming man.
Some descriptions of Young’s character see him as smug during these scenes, but to me, he seems quite innocent as was just being himself and it was this that Gannon disliked in him. He reminded me of similar scenes in My Best Friend’s Wedding (1997) where Julia Roberts’ Julianne tries to make Kimmy (Cameron Diaz) look bad in front of her fiance, and Michael, their mutual object of affection. This also backfires on her.
But their later scenes, where Gannon and Hugo’s bromance developed were wonderfully played and without exception the most charming and fun of the movie. As Young’s amiable character made his post-hangover omelette, this scene was beautifully shot and orchestrated with this surprising comic double act.
Gig gave a natural and lovable performance and showed the softer, nicer side to Gannon, as Hugo gave his much kinder character appraisals. Young easily won my heart again. Along with an Oscar nomination.
However the film is Gable’s moment to shine in a comic leading man role, and he shines. I believe an actor of a similar age to Day such as Rock Hudson would have failed… In his scenes with Day, his gruff editor appears with time to soften after Hugo’s intervention, and through his insights, the pair come together as a couple learning from each other. But without any spoilers, would those who blog on those movies of yesteryear, please tell me if Gig Young ever got the girl?
Weeper Rating: 😦 😦 😦 😦 😦 😦 /10
Handsqueeze Rating: 🙂 🙂 🙂 /10
Hulk Rating: /10
Clark Gable Blogathon, 2018 No 1 and the Always A Bridesmaid Blogathon 2019 No 65
This review was added to Love Letters to Old Hollywood Clark Gable Blogathon. It was also added to Hollywood Genes’ Always A Bridesmaid Film Blogathon. Other posts with this cast include Doris Day in a tribute HERE, 5 Golden Hollywood Stars, The Thrill of it All, Pillow Talk and With Six You Get Eggroll. Gig Young is written about in Young at Heart and my 5 Flaming Hotties post HERE. Both starred in Love at Heart. Clark Gable’s biopic is reviewed in my post on Gable and Lombard.