Torn between two possible lovers…
Will Gorgeous Gig Young’s Alex Burke have his day when he introduces his soon to be fiance, Laurie Tuttle to ol’ blue eyes?
Young at Heart (1954) Official Trailer – Frank Sinatra, Doris Day Movie HD, Movieclips Trailer Vault and photos from Warner Bros
This film was one of my first introductions to Doris Day, and it led to a bit of a teenage crush – as you regulars will know – on her love interest. In this film, Young at Heart (1954), the lovely looking Gig Young stars as the unfortunately named Alex Burke, who stole my heart here and again more recently in Teacher’s Pet (1958). I remembered this film recently through a lovely blogger’s recent review.
This is a film which I loved not only for Young but also for the supporting cast, the soundtrack and the memories I have surrounding it. As Day’s character Laurie was one of three sisters, like me, it briefly inspired me to be a singing group with mine (even though I can’t sing or play an instrument) as the HUG Sisters (with the initials of our first names). But seeing it spelt out our names also as UGH, the idea was abandoned.
At least that’s how I remember it… my mother and sisters may remember things differently. Anyway, I also loved the fabulous soundtrack – although it was at times more like an in-film record promotion – with Sinatra and Day singing their wee hearts out. But what’s it all about?
The film starts with Gregory Tuttle (Robert Keith), an accomplished flautist and musician who continues the opening tune where Sinatra’s lovely opening number ends. His sister Aunt Jessie (Ethel Barrymore) watches the wrestling, it’s clear a bet is in place.
His daughter Laurie (Day) appears, grabs a snack then heads upstairs. Minutes later she’s down the stairs again with her sister, Amy (Elisabeth Fraser) in tow as big sister Fran returns home from a date in a state of excitement.
Eldest sister Fran (Dorothy Malone) is super excited as she is the first of the three Tuttle sisters to announce her engagement. Cue girlie squealing, which sisters do (believe me). Her engagement is to a property developer Robert Nealy, and after just seven dates. The still single Tuttle girls have a sister to sister chat in their shared bedroom (who shares a bedroom with your 20+ sister even in the 1950s?), and naturally, the conversation gravitates around men. As they do.
No, they don’t conjure up the 1950s equivalent of Jack Nicholson, (the man himself was only 17 when this film was released)… like those 80s divorcees/widows in The Witches of Eastwick (1987)). Both have noticed the young plumber has a bit of a crush on Amy. But they sort of agreeing on either a double wedding or shared spinsterhood.
The Tuttle girls and their father have a musical quartet with
our Doris Laurie singing and playing the piano. Amy’s on the violin and Fran’s on the harp with all the girls conducted by their father. As Amy is chatted up by the young plumber, Laurie is dragged off by a random child to see some puppies being born. In the middle of the crowd, is the lovely, handsome.. Alex Burke (sigh) played by Gig Young (sigh).
Of course, Burke takes a bit of a liking to Laurie, and it turns out his father knows her father and he has the patter for charming girls – and their fathers – down to a tee. After meeting Gregory, he invites himself for dinner and to be their lodger. All the Tuttle girls (and me) are smitten. As all Tuttle girls recognise he’s a bit of a catch – as he writes music, has a jokey rapport with dad and even charms Auntie Jessie. What’s not to
So we head to the beach and the entire cast is there, cue Doris Day bursting into song (at least twice), some serious flirting from the plumber, and all the women – apart from Aunt Jessie – making furtive cow eyes at Mr Burke. Cue more Gig screen time… sorry Doris (repeats this is a Doris Day not a Gig Young blogathon in my head).
But he’s only got eyes for Laurie. He even gives Laurie a bracelet – despite the fact that Amy is dutifully sewing for him and Fran’s obviously delaying the June wedding in the hope of him. It appears by the end of the night Laurie’s got the Gig.. so to speak. (Bloody sisters! I’ll admit I was rooting for the lovelorn Amy here!!!).
Then one day, fate becomes tangled and twisted… as enters ol’ blue eyes as Barney Sloane (Frank Sinatra) to help Alex rearrange his music. A complete contrast in personality to the lovely Burke, but Sloane sings and plays the piano (which Burke doesn’t). Where Burke is charming, Sloane seems distant. Where Burke’s miserable and loves being with the Tuttles, Sloane’s a loner.
Laurie takes more than a passing fancy to him because she sees him as a bit of an enigma. Albeit a cynical one. Sloane opens up to Laurie and plays and sings a musical number or two, thus confirming he’s got hidden depths. Sloane falls for Laurie.. proclaiming his love for her. This is after he burbles on about being a man who hopes to shape his own destiny etc.
He’s also got the equivalent of a songwriter’s block with just a snippet of a tune in his head… Sorry but he really is more than a bit depressing. But his declaration of love confuses Laurie especially after he gives her a kiss on the cheek (and this action really really annoys me).
Laurie later meets up with Burke, and he carries all those parcels for her.. its clear that he’s more than besotted. As seen in a major snog .. that surely Laurie would have felt in her boots. After they return home to celebrate Gregory’s birthday, Burke and Laurie announce their engagement… Cue sister Amy running in tears from the room, and Sloane looking a wee bit more miserable.
Jessie convinces Laurie it’s sisterly upset about losing her… but no one notices Sloane’s reaction (to be fair to them, he was miserable before the big news)…but it’s obvious just what’s behind the upset. Burke and Laurie’s wedding day dawns…So does Burke get the girl? Is it the sisterly equivalent of bros before hoes? Will Day and Sinatra do a joint musical number? Does Gig Young get the girl or any girl?
These and other questions are answered in the remaining part of the movie. As a Doris Day movie, it’s another of those lovely films with her choosing between two men, but you usually have the sixth sense on just who’ll get the girl. But here with Sinatra vs Young and the film billed as a musical there’s a lot more singing it’s obvious just who will win her hand in marriage. I will admit that the soundtrack sung by Sinatra and Day was a great addition to this film.
There are musical numbers littered throughout the film like this blog does random Dallas references (yup sneaked one in here). It was a lovely film showcasing these favourite musical talents with many, many memorable musical numbers including Sinatra’s hits Someone to Watch Over Me and One for My Baby (And One More for the Road). Doris sings the excellent Ready Willing and Able and Hold Me In Your Arms.
I do – despite the quips – love this movie, and Day’s Laurie was believably torn between her screen suitors. Doris made her character spunky, fun and caring for others and this is the perfect match to support the miserable Barney Sloane. But additionally, her banter with Young was a delight. However, I would have liked more scenes with Laurie perhaps with Aunt Jessie or big sister Fran to support her mixed-up feelings.
However, it was sad that her character had a lack of insight into her sister’s full-on crush on Alex believing she hated him. Despite this crush being pretty obvious from the start. It was more than apparent there was a huge attraction there. Laurie also had a lack of insight into Sloane’s outlook on life and this was mansplained to her on more than one occasion.
Gig Young made his character as lovely, friendly and charming as always, and was believable in this role. I would have liked to have seen more scenes with him and Sinatra. This after seeing his lovely on-screen rapport and bromance with Gable in Teacher’s Pet. However Laurie, as a chirpy Doris Day character obviously saw Sinatra’s Barney as a challenge. Possibly as she thought she could help and love this unpredictable man who entered the Tuttles lives.
I was interested to learn that this film was in fact a remake of another non-musical movie Four Daughters (1938) but with John Garfield in Sinatra’s role. Reading how things develop in that movie … along with the addition of another daughter… I feel this would be an interesting watch. So definitely on the lookout for this film – along with his original version of the Jack Nicholson film noir, The Postman Always Rings Twice (1981).
However, the Four Daughters ending was changed in this remake at Sinatra’s request. To be honest, this is the ending I’d have preferred having read more on the original film. But just know after rewatching this film, that if I was Laurie Tuttle it would be a case of move over Sinatra, I’m still Gig Young at heart.
Weeper Rating: 😦 😦 😦 😦 😦 😦 😦 /10
Handsqueeze Rating: 🙂🙂 🙂 🙂 🙂 /10
Hulk Rating: /10
This post was written as part of the Second Annual Doris Day Blogathon run by Love Letters to Old Hollywood. Other film reviews with this cast featured on this blog include Doris Day in Move Over Darling, Pillow Talk, The Thrill of it All, Teacher’s Pet and With Six You Get Egg Roll. Her remembrance tribute is written HERE. Gig Young stars in my 5 Flaming Hotties and Teacher’s Pet posts. Frank Sinatra stars in The Manchurian Candidate. Robert Keith stars in my review of The Masks, a Twilight Zone tale. Elisabeth Fraser in The Graduate and in Bewitched.