Murderer Mary Maloney has more than her Police Chief’s husband’s bun in the oven…
A man tells his pregnant wife he’s leaving her with a delicious twist in this tale.
Opening to The Best of Alfred Hitchcock Presents, Volume One 1986 VHS, MrServoRetro and photos © NBCUniversal Television Distribution
After I watched the Dead Weight (1959) episode of Alfred Hitchcock Presents (1955-62), this story immediately whetted my appetite for more of this TV suspense series. Through the series episodes’ storylines, I read about a crime of passion tale named Lamb to the Slaughter (1958) that had all the right ingredients.
Both the story and screenplay were written by Roald Dahl. Dahl was an author best remembered for writing the Bond film, You Only Live Twice (1967) and penning those children’s books including Matilda and Charlie and the Chocolate Factory.
The icing on the cake, for this particular Alfred Hitchcock Presents episode, was that it was directed by the Master of Suspense himself. The episode also stars one of Hitchcock’s most popular leading ladies in this series, Barbara Bel Geddes. This actress is now known – to my generation – as Miss Ellie (Ewing Farlow) in TV’s Dallas (1978-91).
This leading lady’s links to the Master of Suspense appear to go back to 1937. Back then, her father industrial designer, Norman Bel Geddes, Alfred Hitchcock and his wife Alma attended the Dead End (1937) premiere. Her father accompanied the leading lady Sylvia Sidney to this event. Norman Bel Geddes was also the co-writer of this 1936 play of the same name, and the set designer for this movie.
20 years later, Hitchcock met Barbara Bel Geddes, Norman’s daughter for lunch. There he offered her a leading role in his TV series, Alfred Hitchcock Presents. This was for this episode, and the leading role of pregnant Mary Malone. This is one of Hitchcock and Bel Geddes four collaborations for this series. She also starred in Sybilla (1960), The Morning of the Bride (1959) and The Foghorn (1958). This actress spoke fondly of this “wonderful” director after he directed her in the movie Vertigo (1958).
Lamb for the Slaughter has Hitchcock’s traditional animated and comic monologue to open the episode. This is told as Hitchcock sets the scene, he performs his role as a customer in a supermarket and he reports it is in this “milieu” that the story is set. The episode title then follows with an ominous drum roll.
The story begins as young Mary Maloney (Bel Geddes) waits for her police chief husband, Patrick (Allan Lane) to come home from work. The Maloneys are expected at a friends house for drinks later that evening. Patrick returns home to his devoted wife and soon to be mother of his child. She seems very much in love calling him darling at every opportunity and seems happy in her lot.
Philip seems distracted, Mary feels he’s tired and offers to cancel their visit. She’s doing all the talking as he goes to pour himself a drink. It’s then that Patrick drops his bombshell. He’s leaving her and his unborn baby. Patrick tells her unemotionally that he has met someone else, they love each other and want to marry. Mary appears stunned and appears to deny to herself this happening.
As if in shock Mary goes to the kitchen, then to the cellar to prepare dinner. She slowly opens the freezer taking out a frozen leg of lamb. It’s a huge joint and shaped like a baseball bat. She unwraps it slowly and carefully.
In the living room, Patrick is distracted as he fixes a drink. He pours himself a whisky. Mary impulsively hits Patrick on the back of his head with the frozen lamb leg. He falls motionless to the ground. Mary discovers he’s dead.
Mary calmly and deliberately puts the oven on and puts the lamb in the oven. Mary phones her friend to cancel and ponders her next move. Calmly, she messes up the room with upturned chairs and tables. She leaves the room in disarray.
She dresses then purchases some vegetables from the local shop. She appears animated and carefree as she talks to the shop owner. Returning home, Mary notes Patrick is still dead. Then she calls the police… The police visit and they appear to be colleagues of Patrick’s. Mary appears upset and tells them that found her husband dead on her return home from the shops.
As Lieutenant Jack Noonan (Harold J Stone) questions the police try to find fingerprints and a murder weapon, which they believe is shaped like a club. The police suspect that the perpetrator attacked Patrick when he least expected it from someone he knew. Noting no soda was added to his whisky as whisky and soda are known as his drink of choice.
The police believe that the murder might have been carried out by a woman. They are shocked to find no other bruises or marks on Patrick’s body. However, the police are unable to find a murder weapon.
They are aware of Patrick’s extramarital flings. Meanwhile, time passes, the lamb – still cooking in the oven during their visit – is ready for eating… and I hope I’ve given you enough food for thought to watch the rest of this mouth-watering episode…
This was a wonderful episode. Hitchcock used a well-written script, perfect casting and stirring music to make a memorable episode. From her initial appearance, Bel Geddes appeared quite a docile, placid wife/ In those early scenes, she listened intently to her husband and showed no upset as he told her of his affair.
She seemed in shock after he announced his news. It was interesting to see her anger and distress only appearing as she hit her husband with the lamb leg. This act showing her hidden feelings.
More shocking was her lack of fear or any other emotion after this incident. She showed no remorse and or feeling as she placed the lamb in the oven. These traits are still apparent as she recounted her alibi and version of events to the police chief and his colleagues who visited. These events showed a chilling and eerie side to her character, with the police appearing to trust this woman with her calm and genial facade.
This episode was also a wonderful tribute to both Dahl’s writing. It was wonderful to see this in a joint collaboration, with Hitchcock directing. Both men won Primetime Emmys, for best writing and directing respectively for this episode. Dahl also added a further five of his short stories to this series. These included Mrs Bixby and the Colonel’s Coat (1960), Man from the South (1960) and Poison (1958)
I’ve always loved Dahl’s twist in the tale stories. I was an avid fan of these stories as filmed for TV in his Tales of the Unexpected series. This author often remembered for his black humour with a touch of horror. His macabre but humorous style of writing is perfectly portrayed in this episode.
Suspense and apprehension were felt as the police correctly deduced events prior to the murder. Yet as the camera pans to Bel Geddes these appear not to unnerve this cool, calm and collected perpetrator. These scenes, however, with Bel Geddes remaining calm and placid with no signs of distress make you wonder just how long it will be before the truth is unravelled.
Bel Geddes is fantastic casting with and this role is a shocking one compared to those wonderful mumsy and homely adverts she made in the eighties. Here she promoted “home cookin” with a vat of tinned soup. Also in her Dallas role as Miss Ellie, as the Ewing matriarch, she often gave support to an Ewing in the Southfork kitchen.
These character traits now seem quite tongue in cheek, knowing the plot of this episode. This episode shows a complete contrast to these placid and sweet performances. However, her role here may explain why many people felt that Bel Geddes had a darker side to her acting. With many believing, Miss Ellie had hidden traits. and was the one who pulled the trigger in that Who Shot JR? Dallas cliffhanger back in 1980.
This was one of only 17 episodes of the series as directed by Hitchcock. Surprisingly this episode wasn’t updated in the New Alfred Hitchcock Presents series in the 1980s. This despite this episode’s popularity with it placed at number 59 in the TV Guide’s 100 Best Episodes chart.
The new series boasted many great mid-1980s acting talents – such as Karen Allen, Ned Beatty, Barbara Hershey and Mark Hamill – updated many of the stories from this earlier series. But with a new director and in colour.
However, Lamb to the Slaughter was later adapted for Dahl’s Tales of the Unexpected (1979-88) series. It sported a new ending and a cast starring Susan George and Brian Blessed. Perhaps if this plot is filmed again with a Hitchcockian director, the title could be updated to that quote from Star Trek‘s Khaaaaaaaaaan, “Revenge is a dish served cold”.
Weeper Rating: 0 /10
Handsqueeze Rating: 🙂 🙂 🙂 🙂 🙂 🙂 🙂 🙂 /10
Hulk Rating: /10
The Third Alfred Hitchcock Blogathon, No 7 2019
This review was added to For Maddy Loves Her Classic Films 3rd Annual Alfred Hitchcock Blogathon. Other reviews with this cast include Hitchcock in the Suspicion. This series was also reviewed n the episode, Dead Weight. Hitchcock was written about in relation to his biopic Hitchcock. His Alfred Hitchcock Hour is also reviewed. Barbara Bel Geddes stars in my review of Prime Time Soap Star Ads and in my Dallas review. She also was featured in posts submitted for my Darlin Dallasers blogathon. Roald Dahl was also a co-writer for the Chitty Chitty Bang Bang and wrote Willy Wonka and the Chocolate Factory.